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CONTENTS

- Part 1 Introduction -

Chapter 1 PLEASE READ ME FIRST
-It Was Scary
-Stills or Video
-The Mechanical Hurdles
-The "Natural Eye"
-Developing Your Eye
-Try a Viewfinder Dive
-How to Pre-visualize Color Slides
-Color Expectation and Adaptation
-Distance, Sharpness and Color

Chapter 2 WHAT ATTRACTS THE VIEWER'S EYE
-Brightness
-Color
-Contrast
-Sharpness
-Eyes
-Action, Real or Implied
-Humor Can Overpower Rules

Chapter 3 LENSES AND PERSPECTIVE
-Focal Length
-Focal Length and Shutter Speed
-Depth of Field
-Wide-angle Perspective
[Wide-Angle Perspective]
-Barrel Distortion
-Normal Perspective
-Telephoto Perspective

- Part 2 Let’s Take a Picture -

Chapter 4 FINDING UNDERWATER SUBJECTS
-The Exploratory Dive
-Having a Single Goal
-Managing Multiple Goals
-Find What Fits Your Lens
-Find the Strongest Features of the Site
-Find Where It Lives
-Find What It Eats
-Find a Cleaning Station
-Surprise—It's Here

Chapter 5 THE FIVE, BASIC WIDE-ANGLE SHOTS
-The Silhouette
-The Scenic
-The Portrait
-Avoid the Blah Zone
-The Near and Far
-Wide-angle Background Problems
-The Wide-Angle Close-up
-Combinations
-The Jim Church Wide-angle Formula

Chapter 6 SHOOTING DIVERS AIN'T EASY
-Shooting the Great Unplanned
-What Will the Divers Do
-Find a Scene (background) First
-Place the Diver in the Scene
-Give Models Something to Do
-Use Obvious Hand Signals
-Make Eye Contact, Nod and Shoot
-Individual Distance
-Hold Objects Close
-Hide One Eye
-Let the Camera See the Action

Chapter 7 A QUICKIE GUIDE TO MODELING
-A Chimp Could Take the Picture
-Dress for the Part
-Swim Into the Current
-Align Like a Trumpetfish
-Pose at Angles
-Where to Look
-Keep it Tight
-Remember to Smile
-Ask About Bubbles

Chapter 8 COMPOSING CLOSE-UPS
-The "Jim Church Close-up Formula"
-Simplicity, Color and Sharpness Wins
-The Close-up Portrait
-The Flower Arrangement
-Using Dark Backgrounds
-Using Light Backgrounds
-Telephoto Backgrounds
-Depth of Field and the Background
-Side Lighting for Texture
-Be Careful with Framers

Chapter 9 WHEN DO YOU TAKE THE PICTURE
-Anticipating the Action
-How Fast Can You React
-The Machine Gun Approach
-The Sniper Approach
-Save Some Ammo

- Part 3 Let’s Improve The Picture -

Chapter 10 ISOLATE YOUR SUBJECT
-What Is Your Subject
-One Main Point of Interest
-Multiple Points of Interest
-The Salad Bowl
-Get Low, Get Close and Shoot Up
-Get High, Get Far and Shoot Down

Chapter 11 PLACING YOUR SUBJECT IN THE PICTURE
-The Background Is the Stage
-Avoid Competitive Backgrounds
-Play "Tic-Tac-Toe" (the rule of thirds)
-Place Horizons on Thirds
-Moving Subjects Need a Place to Go
-Use Leading Lines
-Triangles and Pyramids
-Parallel Lines Imply Unity
-The "Discovery Pose"
-Avoid the Three S's
-The Implied Vanishing Point

Chapter 12 WORKING WITH PATTERNS
-Patterns Are Everywhere
-Texture Patterns
-Repeated Patterns
-The Perfection of Imperfect Patterns
-Avoid Mergers

Chapter 13 ADDING A TOUCH OF GRACE
-Look for Curves
-Look for Ovals
-Look for Delicate Details
-Left-to-right Eye Travel
-Check the Balance
-Framing Your Subjects
-Vertical or Horizontal

Chapter 14 SPECIAL LIGHTING EFFECTS
-Air Pocket Reflections
-Color Panels with Backlighting
-Color Panels with Frontlighting
-Filtered Flash
-Backlighting
-Background Lighting
-Multiple Exposures
-The Photographer at Work

- Part 4 Appendices -

Appendix A CHOOSING A CAMERA
-Housing a 35mm SLR
-Amphibious Cameras
Appendix B DISTANCE AND FOCUSING
-Viewfinder Cameras
-SLR Cameras
-Flat and Dome Housing Lens Ports
Appendix C USEFUL ADDRESSES
Appendix D SELECTED REFERENCES

INDEX




Pär Ahlgren
Pär Ahlgren 2011-11-14 22:16:19
2 606 postningar

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Huvudinlägg Rec "ESSENTIAL GUIDE TO COMPOSITION" Pär Ahlgren 2011-11-14 22:15
svara Fullständig innehållförteckningPär Ahlgren2011-11-14 22:16

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